| 主权项 |
1. A method of making a macroscopic, two or three dimensional image-making support medium which is a new reinvented version of a conventional utilitarian fine artist's canvas, canvas panel, canvas pad, art board or drawing pad, the novel image support medium facilitates artistic expression and the creation and display of macroscopic art, design or architecture, made therewith, thereupon or therefrom, and the method requires
making or developing the work so that it is macroscopic, with distinct edges or boundaries, and with the means to show a two or three-dimensional artwork, picture or design that changes over time or that is unchanging, from one or more of its sides or angles, and making or developing the work so that it shows a two or three-dimensional artwork, picture or design from one or more sides or angles, so that it is a two or three-dimensional, macroscopic aesthetic work; making or developing the image support medium and/or the aesthetic work with one or more of the specifications in (A)-(I) below, and also one or more of the specifications in (i)-(ix) below: (A) at least one nanomaterial; (B) the work is made or developed with or as a light-emitter or light emitting device that is one or a combination of: an organic light-emitting diode (OLED); a light-emitting display screen that is partially or entirely transparent or translucent; a light-emitting display screen capable of flexing or folding; a light-emitting display screen that is approximately about 6 mm thick or thinner, or a light emitter or light emitting device made with at least one nanomaterial or quantum dot, a quantum dot display, quantum dot lighting, quantum dot light emitting diode or QD LED; (C) the work is made or developed with or as an electronic paper display or e-material, and the work is: fine art; it is architecture; it is clothing design, hat design or belt design; it is a work of design that functions as a tote bag, a handbag, or a container, it is jewelry design as a necklace, a pin or earrings; or it is a work of design for viewing or display apart from being worn directly upon the human body as jewelry design, clothing design or watch design; (D) the work is made or developed with or as one or more two or three dimensional display devices and (a), (b) and (c):(a) it has or is at least one display device that is light emissive or non-light-emissive, or a compositional arrangement with two or more such display devices, (b) the work has the means for using this or these display devices for the creation, development, change and/or recreation of an aesthetic work, art, design, a picture or an architectural work once, twice, multiple times and/or in an ongoing process employing one or more image making options that are greater and/or more complex than those on a viewing device for displaying externally produced images input into it, with the visual effect that can be created visible from one or more of the work's sides or angles, and with this visual effect more complex than or other than that from a conventional on/off switch or dimmer, and (c) the display device or devices are made or developed so that they are free from any separate alternative functionality or purpose that differs from that stated in this claim; or they work as part of or with a computer that is other than a conventional computer;
thus as an option, two or three dimensional art, design, pictures and/or architecture can be created, developed, changed and/or recreated in a process in which one or more finished or unfinished sketches, versions, variations, works in progress and/or images are generated over any period of time, using one or more of the work's sides or angles; (E) the work is made or developed with or as a visible tangible form or display that is largely or entirely transparent or translucent and capable of aesthetic change that can be seen from one or more sides or angles, with its visible aesthetic change capable of occurring independent of any separate light source that may be part of the work, with its visible aesthetic change requiring the work to be active rather than entirely passive, and with the transparent or translucent form or display being part or all of the work which is other than conventional privacy glass; (F) the work is made or developed so that it has a visible interactive or responsive intangible hologram; (G) the work is made or developed with or as an organic transistor, a transparent transistor, an organic light-emitting transistor (OLET), or a transistor that is a combination of these; (H) the work is made or developed with an absorbent polymer or a conductive polymer that is: capable of conducting electricity that flows or is non-static, emits light and/or is in a device so that the conductive polymer is separate from any e-material display, photographic film or photographic paper that might also be part of the work; and/or (I) the work is made or developed with or as a clear canvas composition made with transparent and/or translucent polymer, with this clear canvas composition prepared to prevent discoloration and/or other change over time, and with this clear canvas composition other than conventional acrylic sheeting; and in addition, the aesthetic work made or developed according to one or more of (A)-(I) above is also made or developed according to one or more of (i)-(ix) below: (i) making or developing the aesthetic work so that it is: sculpture, a mobile, a mural, an openwork form, a kinetic work, pictorial, a painting, fine art, collage, design, architecture, an abstract work of art or design, and/or a wearable work or art or design; or making or developing the aesthetic work so that it shows: a figure, an animal, a still life, landscape, nature, the sky, a part or aspect of any of these, subject matter that is not physically present, drawing, painting, an imprimatura, underpainting, collage, a pattern, a depiction or representation of a recognizable subject; a visual effect or design resembling that in a well-known work of art or design or resembling that by a well-known artist or designer; an overall aesthetic shape or form that is figurative or that depicts or represents a recognizable subject; one or more of these that changes or that can be changed over time; or a combination of these; (ii) making or developing the image support medium and/or aesthetic work so that it resembles a conventional artist's canvas, canvas panel, canvas pad, art board or drawing pad; making it as an image making book, as an image making pad or so that it resembles a conventional image making book or pad; making or developing it with deckled edges, irregularities resembling handmade paper, and/or texture resembling conventional canvas; making or developing the image support medium or the aesthetic work so that it has an aesthetic texture made by taking one or more positive or negative impressions from one or more organic or natural materials or so that it has an aesthetic texture resembling this; (iii) making or developing the image support medium and/or aesthetic work with a means of display or installation like or resembling that used on a conventional artwork or picture; making or developing it with one or more of: a matt or a frame; a means of hanging; a means of mounting or installation on a vertical support or a wall; a pedestal or base; a means that enables it to be freestanding or vertically freestanding; a means by which it can roll, scroll and/or fold; a rigid mount system, a wire mount system, or a combination rigid and wire mount system; or a means of installation, mounting or display that displays it leaving space between it and the wall, ceiling, floor or other structure from which it is installed, mounted or presented; and/or hanging, installing or mounting the aesthetic work for display as art; (iv) making or developing the image support medium or the aesthetic work so that most or all of its utilitarian elements hidden from view and/or entirely or predominantly unobvious or unapparent to viewers looking at it as a whole, or its utilitarian elements are integrated in this way when the work is inactive; (v) making or developing the aesthetic work so that it shows the signature or distinguishing mark identifying the artist, designer or group of artists and/or designers who created it which is other than the mark of an industrial or commercial manufacturer or scientific organization; or preparing the aesthetic work with a title as art or design; (vi) cleaning the surface of the image support medium or the aesthetic work sufficiently to render it receptive to superimposed artists' paint, so that it has enhanced bond strength and permanence; (vii) making or developing the image support medium or the aesthetic work with a fine-art stabilizer and/or a surface preparation stabilizer that bonds to or enhances its bond to one or more superimposed conventional artists' paints; (viii) accompanying the image making support medium or the aesthetic work with instructions for developing it, instructions for modifying or changing it, and/or instructions for displaying it; and/or (ix) making or developing the aesthetic work so that it has a means enabling the creation, development and/or change of a visible pictorial, artwork or design element on one or more viewable areas or sides with the work being active rather than entirely passive, so that the visual element is more complex than or other than the visual effect of a conventional on/off switch or a conventional dimmer; and making or developing the aesthetic work according to one or more specifications from each of (A)-(I) and (i)-(ix) above, so that the aesthetic work is made as a whole rather than as a part, and making or developing it so that it is free of being purely commercial or informational, and so that it is other than a conventional computer, camera, phone, personal digital assistant device, portable media player device, or a conventional window that changes uniformly to serve purely utilitarian purposes. |
